A Cultural, Visual, and Personal History.
By Robert Hughes.
Knopf. 498 pp. $35
Rome has had an influence like that of no other city. Its 2,500 years of unbroken history make Paris and London seem like recent arrivals. In Rome, Robert Hughes gives a thorough account of the Eternal City’s history and its influence on two millennia’s worth of artists, architects, and writers. A former art critic for Time and the author of books on subjects as diverse as Barcelona, Australia, and modern art, Hughes was first awed by Bernini’s fountains at the Piazza Navona a half-century ago. He sees traces of Rome just about everywhere, from the works of Goethe to Manhattan’s original Pennsylvania Station.
The ancient Rome of our imagination—and as conjured by the sculptors and painters Rome has attracted for millennia—is a pristine marble sculpture garden populated by orators in clean togas. The reality was more like “Calcutta-on-the-Mediterranean,” Hughes writes, “crowded, chaotic, and filthy.” Flimsy apartment buildings lined streets strewn with human and animal excrement, garbage, and the occasional corpse. Residents commonly hurled full chamber pots out the window, braining anyone unlucky enough to be passing below.
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Andrew Curry is a freelance journalist based in Berlin and a contributing editor to Archaeology.more from this author >>
By Joan Didion.
Knopf. 188p. $25. GUANTÁNAMO:
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By Jonathan M. Hansen.
Hill & Wang. 428 pp. $35 GOD’S JURY:
The Inquisition and the Making of the Modern World.
By Cullen Murphy.
Houghton Mifflin Harcourt. 310 pp. $27